The film starts in a dark cavern, the Plato’s cave of the unformed self. Formidably ingenious, Inside Out hits an elusive sweet spot in appealing to children and adults alike Directed and co-written by Pete Docter ( Monsters, Inc and Up) and co-directed by Ronnie del Carmen, Inside Out starts from a boldly abstract premise: the narrative plays out within the psyche of a girl named Riley (voiced by Kaitlyn Dias) and the film’s characters are her feelings.Īt the start, one of those feelings, Joy (Amy Poehler), asks: “Do you ever look at someone and wonder what is going on inside their head?” The next questions that arise are: what might such psychic events actually look like? And how might they generate a story that can be sustained for 102 minutes? Inside Out meets these challenges with an inventiveness that’s appropriately mind-boggling. Given the humdrum quality of Cars 2 and Monsters University and 2012’s well-intentioned but forgettable Brave, it seemed as if the studio had lost its penchant for exotic risk.īut Inside Out is in the top rank of Pixar productions with its combination of audacity, intelligence, wit and emotional reward.

Bought by Disney in 2006, the studio hadn’t produced anything truly inspired that wasn’t a sequel since Up in 2009. At this point in the fortunes of the once-infallible creative powerhouse, you wouldn’t have bet on Pixar coming up with anything very outré. It’s as bizarre, imaginative and authentically psychedelic as anything produced in mainstream animation. T he new Pixar animation Inside Out could easily have been called Out There.

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